The term was coined by writer, curator and Los Angeles Times art critic Jules Langsner, along with Peter Selz, in 1959,[3] to describe the work of painters from California, who, in their reaction to the more painterly or gestural forms of Abstract expressionism, adopted a knowingly impersonal paint application and delineated areas of color with particular sharpness and clarity. This approach to abstract painting became widespread in the 1960s, though California was its creative center.
Other, earlier, movements, or styles have also contained the quality of hard-edgedness, for instance the Precisionists also displayed this quality to a great degree in their work. Hard-edge can be seen to be associated with one or more school of painting, but is also a generally descriptive term, for these qualities found in any painting. Hard-edged painting can be both figurative or nonrepresentational.
In the late 1950s, Langsner and Peter Selz, then professor at the Claremont Colleges, observed a common link among the recent work of John McLaughlin (1898–1976), Lorser Feitelson, Karl Benjamin, Frederick Hammersley (1919–2009) and Feitelson's wife Helen Lundeberg. The group of seven gathered at the Feitelson's home to discuss a group exhibition of this nonfigurative painting style. Curated by Langsner, Four Abstract Classicistsopened at the Los Angeles County Museum of Art in 1959. Helen Lundeberg was not included in the exhibit.[4] These painters were featured in a touring exhibition during 2008 called "The Birth of the Cool" in California museums along with midcentury design, music and film.[5]
This style of hard-edge geometric abstraction recalls the earlier work of Kasimir Malevich, Wassily Kandinsky, Theo van Doesburg, and Piet Mondrian. Other artists associated with Hard-edge painting include Herb Aach, Josef Albers, Richard Anuszkiewicz, Max Bill, Ilya Bolotowsky, Ralph Coburn, Nassos Daphnis, Ronald Davis, Gene Davis, Burgoyne Diller, Peter Halley, Al Held,Robert Indiana, Ellsworth Kelly, Günther C. Kirchberger, Alexander Liberman, Agnes Martin, Kenneth Noland, Georg Karl Pfahler, Ad Reinhardt, Bridget Riley, Ludwig Sander, Leon Polk Smith,Julian Stanczak, Frank Stella, Myron Stout, Leo Valledor, Victor Vasarely, Charmion von Wiegand, Neil Williams, Larry Zox and Barbro Östlihn.
Leo Valledor (1936–1989) was a Filipino-American painter who pioneered the Hard-edge painting style. During the 1960s he was a member of the Park Place Gallery in Soho, New York, which exhibited many influential and significant artists of the period. He exhibited in several prominent galleries and museums, like the Graham Gallery, the San Francisco Museum of Modern Art and the M. H. de Young Memorial Museum. He was the Exhibition Director and teacher at Lone Mountain College. He is a two-time recipient of the National Endowment for the Arts Artist Fellowship Grant. He was a leader of the minimalist movement in the 1970s.
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