28 Mart 2012 Çarşamba

die brücke

Die Brücke (The Bridge) was a group of German expressionist artists formed in Dresden in 1905, after which the Brücke Museum in Berlin was named. Founding members were Fritz BleylErich HeckelErnst Ludwig Kirchner and Karl Schmidt-Rottluff. Later members were Emil NoldeMax Pechstein and Otto Mueller. The seminal group had a major impact on the evolution of modern art in the 20th century and the creation of expressionism.[1]
Die Brücke is sometimes compared to the Fauves. Both movements shared interests in primitivist art. Both shared an interest in the expressing of extreme emotion through high-keyed color that was very often non-naturalistic. Both movements employed a drawing technique that was crude, and both groups shared an antipathy to complete abstraction. The Die Brücke artists' emotionally agitated paintings of city streets and sexually charged events transpiring in country settings make their French counterparts, the Fauves, seem tame by comparison.
Some of the painters in the group sympathized with the revolutionary socialism of the day and drew inspiration from Van Gogh's ideas on artists' communities. Die Brucke expressionists believed that their social criticism of the ugliness of modern life could lead to a new and better future.
A successor group formed in 1919, the Dresdner Sezession, including painter Conrad Felixmüller.
Die Brücke was one of two groups of German painters fundamental to Expressionism, the other being Der Blaue Reiter group ("The Blue Rider"), formed in Munich in 1911.

Hilmar Friedrich Wilhelm Bleyl, known as Fritz Bleyl, (8 October 1880, ZwickauKingdom of Saxony – 19 August 1966, Bad Iburg) was a German artist of the Expressionist school, and one of the four founders of artist group Die Brücke ("The Bridge"). He designed graphics for the group including, for their first show, a poster, which was banned by the police. He left the group after only two years, when he married, to look after his family, and did not exhibit publicly thereafter.

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